Kevin Donnelly is Professor of Film and Film Music at the University of Southampton. He is primarily a theorist and historian of film music and film sound, but with
a strong interest in aesthetics and culture beyond film. He is the author of several books including
Magical Musical Tour: Rock and Pop in Film Soundtracks (Bloomsbury, 2015),
Occult Aesthetics: Sound and Image Synchronization (Oxford University Press, 2013),
British Film Music and Film Musicals (Palgrave, 2007), and co-editor (with Phil Hayward) of
Music in Science Fiction Television: Tuning to the Future (Routledge, 2012) and (with Will Gibbons and Neil Lerner) of
Music in Video Games: Studying Play (London: Routledge, 2014). Moreover, Donnelly is the editor of the “Music and the Moving Image” book series for Edinburgh University Press and “Palgrave Studies in Audio-Visual Culture” for Palgrave-Macmillan, and serves in the editorial board of journals including
Music and the Moving Image,
the Journal of Film Music,
Music, Sound and the Moving Image, and
The New Soundtrack.
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